Essay on The Essence of Van Gogh’s Art Forms

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Essay on The Essence of Van Gogh’s Art Forms

The Essence of Van Gogh’s Art Forms

Experts have examined the essence of Van Gogh’s art forms and the complicated relationships between art forms, and popular cultural practices and have ascertained that concentration is the visual current options of arts and artists specifically between, painting, photography, sculpture, and architecture. They discussed current art, a history that represents art or the reproduction of culture.

In the article, the author deliberated on the sites of cultural consumption and areas of cultural practice. The material for this article is taken from a comprehensive study of Vincent Van Gogh who stands heads and shoulders above others in both art history and general knowledge because no other European artists are so well known all over the world.

By definition, art is anything that has been skillfully and imaginatively constructed, is stunning, or conveys significant thoughts or emotions. By definition, one would anticipate that an artist’s emotional condition or point of view would immediately influence their creation.

Regarding the works of many other artists, including Vincent Van Gogh, that presumption would be accurate. For the better part of 10 years, Vincent Van Gogh, a painter from the 19th century, was mostly misunderstood. His artistic approach was ahead of its period in and of itself.

Without first comprehending Van Gogh’s background, it is impossible to comprehend the meaning of his works of art. A multi-talented individual who has worked as an evangelist, a teacher, an art dealer, and an artist.

About Vincent Van Gogh

The Starry Night’s author, Vincent Van Gogh, was born on March 30, 1853, in Groot Zundert, The Netherlands. Theodorus van Gogh, a Dutch Reformed Church preacher, and Anna Cornelia Carbentus were the parents of Van Gogh.

Early in his career, Van Gogh mostly painted and sketched depictions of the underprivileged. The Potato Eaters, Van Gogh’s first significant piece, was ultimately completed in 1885.

Van Gogh continued to develop as an artist after moving in with his brother in Paris in 1886. Although he was influenced by the Impressionists and Japanese art, he maintained his own distinctive style.

His paintings got bolder and more vivid. In Arles, Van Gogh settled down to paint his blossom-themed paintings. Gauguin later moved in with him. Van Gogh severed the bottom lobe of his left ear in a fit of rage. He kept going through emotional and mental pain. He was finally sent to a mental hospital.

Van Gogh created his renowned The Starry Night at this asylum. He kept up his artistic output while battling his mental condition.

Van Gogh finally shot himself in the chest while painting in the meadows of Auvers in 1890. When Van Gogh passed away, his art had begun the Expressionist movement and was receiving more and more praise from critics.

Van Gogh’s art was affected by his fluctuating mental health, depression, and itinerant way of existence. Starry Night, in particular, is a work of visual art that takes the form of an oil painting on canvas. It measures 29 x 36 1/4.

The physical look of the artwork is that of realistic art with a distinctive view of a night sky. Van Gogh used strong lines that convey a lot of movement. The black sky’s flowing lines between the dazzling stars catch the attention of observers.

The cypress tree in the foreground appears to catch fire due to its lines. The center ground’s scenery offers a sense of cascading motion. The dark colors employed in this artwork give it a realistic tone.


The experts have principally concentrated on the way that ideologies have dominated art history across a very wide field of artistic dialogue. The author has discussed the historical development of art forms and history which has been popularized since the nineteenth century.

Although this discussion supports Van Gogh in several texts and pictures, it emphasizes the importance of art history in the promotion of culture as defined by the artist.

What is important is anything said and understood in order to recover Van Gogh’s reputation was quite exceptional because his art was great and it genuinely deserved the popularity that it got.

It was Van Gogh’s prominence as an artist and the universal acceptance of his art that was, in essence, liable and accepted by a large number of art lovers and those who understood the finer points of art and history.

Difference Between The Personality

Novotny tried to explain the difference between the personality of Van Gogh and the formulation of his paintings and drawings and his amazement that his art and the work of other artists had such universal application as they’re not many great books about the arts or the organization of exhibitions or other forms of promotion.

Theories that have been put forward as alternative hypotheses are that Van Gogh should be judged because of the quality of his art and not his troubled life.

The distinction is important because what most people perceive is the idea of an unhappy painter, whose art includes many other aspects and positions and whose impartiality is apparent through his paintings.

Novotny wrote this as a challenge because of the predisposition that Van Gogh’s personal biography is, in fact, a biography of his artistic life. This was because the monetary value of a painting is based upon the status of the artist and Van Gogh’s painting depicts his passion for life.

Art And Emotion

Vincent took advantage of the opportunity to study under Fernand Cormon while in Paris, where he had access to the very best of contemporary art. At Cormon’s studio, he met several members of the Impressionist group as well as Emile Bernard, who would later become a close friend.

Theo represented Impressionist artists such as Monet, Degas, Sisley, Renoir, and Pissarro, many of whom frequented the art store of Pere Tanguy, a local hang-out for the Paris avant-garde.

Vincent had the opportunity to visit contemporary Impressionist exhibitions and speak with some of these artists thanks to Theo’s position within the business art world.

Vincent was able to trade his paintings for those of other painters, and one art dealer even took some of his creations, but he was still unable to sell anything. Inspired by the Japanese prints he could see in Paris,

Vincent started using photographs and plants as his subjects in 1887, intending to better his use of color. In Paris, Vincent’s mental health began to deteriorate, and the dark side of his difficult situation began to show itself via violent mood swings, desperation, and drunken and unpredictable conduct.